‘Sonetos del Amor Oscuro’ for vocal soloists, choir and chamber orchestra by Nacho Mañá Mesas

Nacho Mañá Mesas (conductor), Lucy Farrimond and George Herbert (vocal soloists) and Chetham’s Contemporary Music Ensemble

‘Miniature’ for clarinet in Bb and bassoon by Nacho Mañá Mesas

Andrei Caval (clarinet) and Florence Plane (bassoon)

‘Combat’ for two instruments by Nacho Mañá Mesas

Andrei Caval (clarinet) and Nacho Mañá Mesas (saxophone)

‘Salve, Regina’ for choir by Nacho Mañá Mesas

‘Black Pictures’ for Pierrot ensemble by Nacho Mañá Mesas

Nacho Mañá Mesas (conductor) and Chetham’s Contemporary Music Ensemble

‘Black Pictures’ for Pierrot ensemble by Nacho Mañá Mesas

Nacho Mañá Mesas (conductor) and Chetham’s Contemporary Music Ensemble

‘My Own Desert Places’ for alto saxophone and piano by Nacho Mañá Mesas

Nacho Mañá Mesas (saxophone) and Tammas Slater (piano accompaniment)

‘Les Silhouettes’ for mixed ensemble by Nacho Mañá Mesas

La Tache Ensemble

‘The Five Stages of Loss and Grief’, Concerto for solo cello and symphony orchestra by Nacho Mañá Mesas

Nacho Mañá Mesas (conductor), Laura Williamson (solo cello) and Chetham’s Contemporary Music Ensemble

‘Demeter’ for mezzosoprano and lute by Nacho Mañá Mesas

Inguna Morozova (mezzosoprano) and Ross Morris (guitar)

‘Kalunga’ for mixed ensemble by Nacho Mañá Mesas

Chetham’s Contemporary Music Ensemble

‘Comrade Napoleon’s Speech’ for Narrator, Female Chorus and Chamber Orchestra by Nacho Mañá Mesas

Nacho Mañá Mesas (conductor) and Chetham’s Contemporary Music Ensemble